The Light in Art Calligraphy Based Stationery Riley Cleveland
Trueing's Serie Triple Chandelier shown in dappled contumely, one of five metal finishes.
At that place must something in the water—or, in this example, the light waves—for these iv young design studios. Their bound and summertime lighting introductions brand the well-nigh of evolved material languages to deliver fixtures that are at once comforting and subtly defiant of expectations. From the delicate yet thoughtfully adaptable chain-link motifs of Trueing's latest, to Blue Green Works' idiosyncratic beach-beachcomber Brutalism, paying attention to these 4 names right now is undoubtedly a vivid idea.
Bennet Schlesinger
California-based designer Bennet Schlesinger's emotive bamboo, newspaper, and ceramic lamps have garnered a cult following amid the creative class: He counts ceramist Simone Bodmer Turner, Green River Projection designers Ben Bloomstein and Aaron Aujla, and the mode designer Emily Bode as supporters. It's easy to see why. His sculptures radiate light and warmth through a fabrication process that involves layering sheets of translucent paper over a woven bamboo armature. Schlesinger has said the process is akin to throwing clay, some other medium in which he works fluently.
Currently represented past L.A. gallery Stanley's, Schlesinger has shown around the land in group and solo shows at the now-closed-but-well-remembered New York galleries Signal in Brooklyn and Karma's Amagansett outpost, likewise as Large Medium in Austin, Texas, leaving him poised to go along working in the artful tradition of his cited artistic forebears: Cy Twombly, Suzan Frecon, and Peter Voulkos. We can't wait to see what'due south adjacent.
Trueing
Cofounders Josh Metersky and Aiden Bowman's v-year-onetime lighting studio Trueing expanded its material repertoire this summer with the release of Serie, a new collection of chandeliers and pendants offered in 5 metal finishes. Metersky, formerly an engineer and production director for the New York–based lighting designer Bec Brittain, and Bowman, a Bjarke Ingles Group alumnus, aqueduct the traditions of Italian jewelers into fixtures comprised of substantial brass links with satisfyingly precise beveled edges.
The drove name is Italian for "series," an on-the-nose nod to the format of the chain fixture, as much every bit the studio's progression of ideas from glass to metallic, forsaking the transparent for the opaque. Not that they have annihilation to hide: They also introduced their Cerine light fixtures in sandblasted glass this flavour, a new end that, per Bowman, "is just really tasty-looking."
Slash Objects
Designer Arielle Assouline-Lichten, founder of the five-yr-onetime Brooklyn-based studio Slash Objects, released her commencement lighting collection this jump, as part of her Coexist series. Each lamp is customizable and made entirely of recycled materials: a hand-hewn base crafted from marble remnants, a lampshade available in both a woven fabric made of 100 percent–recycled PET bottles, and a special edition bouclé.
The unfussy geometry of the base flatters both lampshade options, expanding on the contrasts and textures that define the studio's furniture-making. It's an elegant category bow from the studio, which is working next to bring the "exploded chandelier" from Assouline-Lichten's fourth dimension on the most contempo season of HBO Max's Ellen's Next Great Designer to market as a multipiece collection.
Blue Green Works
New York–based studio Blue Green Works debuted its outset drove this leap, designed and engineered entirely in lockdown. The resulting pieces were conceptualized effectually ideas of sanctuary through textures and materials that evoke sites of escape and leisure. The Fiber series, comprised of a sconce and pendant fixture, is a nautically tinged experiment in elemental raw fiberglass, while the Palm series is made from hand-rolled, kiln-slumped glass and precision-machined metal elements configured every bit pendants, a sconce and a floor lamp.
Creative director Peter B Staples, formerly of Appliance Studio, mined his years spent combing the beaches of Burn Island to inform the collection's measured approach to themes of temporality and transparency—from the dulled glow of a sunset striking your optics closed to the conviviality of a party that goes into the wee hours of the morning. The entire collection is currently available straight online and at The Future Perfect.
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Source: https://www.elledecor.com/design-decorate/a36866609/independent-lighting-collections-2021/
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